Bakhiya

Kintsugi is the Japanese art of repairing broken ceramic objects by enhancing the cracks in the ceramic-ware  with gold embellishment. Here the gold fissure or scar becomes a testament to a difficult journey, and the  marks of wear add value to the object. We find reflections of this deeper philosophy of ‘not rejecting the  imperfect ‘ in various other cultural traditions including Sufi. The practice of Bakhiya, suturing the garment by  the Sufi Darvesh (mendicant) symbolizes the meditative activity of not letting things fall apart. Textile traditions of Kantha, Sujani, Rafoo come from a similar philosophy of repurposing rather than discarding. It is  a metaphor for embracing flaws and imperfections present in all human existence, where the fragility of life  itself , becomes its strength. 

Through the works of these artists, the exhibition explores the resilience and tenacity of the human spirit to  survive against seemingly insurmountable odds. Serving as a subtle reminder to the viewer to embrace and  appreciate all aspects of life and revisit our conception of beauty/desirability, not as the absence of  imperfection but rather, by recognizing those very flaws as an inextricable part of what completes us – the  fingerprints of life itself .

I would like to thank the participating artists for contributing works that bestowed new interpretations of  the theme and raised the level of the show.  

I would especially like to thank Dr B N Goswamy whose erudite knowledge of poetry enabled a choice of  appropriate couplets and verses to enhance the experience. 

Tunty Chauhan